![]() The album ‘Both Sides Now’ was conceived as a song cycle documenting a relationship from initial flirtation to optimistic consummation, ending in disillusionment and ironic despair, and finally the philosophical overview of acceptance and the probability of the cycle repeating itself.Īlways open to experimentation, Mitchell later started to include jazz influences in her writing as evident in albums such as ‘Court and Spark’ and the lush orchestrations we hear on ‘Both Sides Now’ and ‘Travelogue’. Mitchell, one of the most celebrated and influential artists of her generation, originated in the American folk scene of the 1960s, along with the likes of Bob Dylan and Joan Baez, and she quickly established herself as a visionary writer and activist. 3: The Asylum Years (1972-1975) will be available both in a 5CD / digital version and a 4LP cut-down version, both with an accompanying book featuring photos and a conversation about this period between Joni Mitchell and longtime friend Cameron Crowe.Ī special concert commissioned by Llais to pay homage to singer-songwriter Joni Mitchell, focusing largely on two albums that were fully orchestrated: ‘Both Sides Now’ (2000) and ‘Travelogue’ (2002), performed by special guest singers Charlotte Church, Laura Mvula, ESKA and Gwenno, and BBC National Orchestra of Wales. It’s the latest entry in Rhino’s ongoing, GRAMMY-winning series exploring the vast untapped archives of rare Joni Mitchell recordings - a project guided intimately by Mitchell’s own vision and personal touch. ![]() 3: The Asylum Years (1972-1975), out Octoon Rhino Records. This era comes into even greater focus on Joni Mitchell Archives, Vol. Her adventurous, intricate arrangements and growing formidability as a bandleader injected these songs with a clarity of purpose, a potent muscularity, and a sense of possibility - it is among the most exciting eras of a near peerless career. This respite thrust Mitchell into a remarkably fertile creative period, yielding a run of albums - 1972’s For The Roses, 1974’s Court And Spark, and 1975’s The Hissing Of Summer Lawns - that would simultaneously expand and refine the scope of her music. Inspired by her proximity to nature and refreshed by the peaceful seclusion, she began constructing the songs that would become For The Roses. In response, she had pulled back, announcing an early retirement from the stage in 1970 and moving to the quiet expanses of British Columbia’s Sunshine Coast. Everything from her style choices to romantic partners became the subject of far more gossip column inches than were ever dedicated to the lifestyle minutiae of her male counterparts. ![]() ![]() Fresh off the back-to-back Platinum-certified releases of 1970’s Ladies of the Canyon and 1971’s Blue - totemic albums whose artfulness and ubiquity would influence generations of songwriters - Mitchell had grown wary of mounting media scrutiny. Come 1972, Joni’s singular songwriting talent and poetic gifts were undeniable.
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